BEGIN:VCALENDAR VERSION:2.0 METHOD:PUBLISH PRODID:-//Telerik Inc.//Sitefinity CMS 13.3//EN BEGIN:VEVENT DESCRIPTION:A session at The College Art Association (CAA) 114th Annual Con ference soliciting ContributorsLocation and Conference dates: Chicago\, Fe bruary 18&ndash\;21\, 2026.Session of Affiliated Society or Committee Name : \;Society for Iberian Global ArtCall:The history of the early modern Iberian world is strewn with stories of architectural ambition and engine ering innovation that seek to defy\, overcome\, or restructure extant envi ronmental conditions. Land-reclaiming and flood-controlling projects repre sent a major thematic in this period\, from \;Regi Lagni \;in Napl es to the \;»å±ð²õ²¹²µ³Ü̈±ð&²Ô²ú²õ±è°À;of Mexico City\, as do seismic-responsive a rchitectures such as the famous Earthquake Baroque in the Philippines and Guatemala\, and as well as post-earthquake architectures in Sicily and Lis bon. Early modern architecture and engineering is often characterized by n ew boldness of ambition in responding to\, attempting to overcome\, or int ending to change environmental conditions\, it often yields cycles of loss \, failure\, and reiteration\, until new technics are achieved.This panel seeks to learn from stories of architectural and infrastructural failure\, innovation\, and redesign\, especially as it relates to practices of colo nialism\, from across the Iberian world. We invite papers that seek to com plicate the narrative of architectural domination on the land and landscap e and search for cases that focus on moments of disjunction and defeat in the face of environmental factors\, and the struggle to respond.Papers may examine the consequences of incomplete knowledge of landscapes\, ecologie s\, and materials\, and the cases under consideration may be architectural works that were unfinished\, hypothetical\, never realized\, or rebuilt a fter confronting natural disasters and misunderstandings of ground conditi ons. We also welcome papers on artworks representing knowledge of material s and environments\; moments of disaster\, engineering\, and rebuilding\; or changes in understandings of nature and environment.SUBMIT ABSTRACTS HE RE BY AUGUST 29: \;https://caa.confex.com/caa/2026/webprogramprelimina ry/Session16445.html DTEND;VALUE=DATE:20250830 DTSTAMP:20250731T215749Z DTSTART;VALUE=DATE:20250718 LOCATION:Illinois\,United States\,Chicago\,Hilton\, 720 S Michigan Ave SEQUENCE:0 SUMMARY:Call for Papers: Art & Architecture vs. Environment: Failure\, Rede sign\, and Innovation in the Early Modern Iberian World UID:RFCALITEM638895958693901328 X-ALT-DESC;FMTTYPE=text/html:
Location and Conference dates: Chicago\, February 18&ndash\;21\, 2026.
Sessi on of Affiliated Society or Committee Name: \;Society for Iberian Global Art
C all:
The history of the early modern Iberian world is strewn with stor ies of architectural ambition and engineering innovation that seek to defy \, overcome\, or restructure extant environmental conditions. Land-reclaim ing and flood-controlling projects represent a major thematic in this peri od\, from \;Regi Lagni&nbs p\;in Naples to the \;»å±ð²õ²¹²µ³Ü̈±ð&²Ô²ú²õ±è°À;of Mexico City\, as do seismic-responsive archite ctures such as the famous Earthquake Baroque in the Philippines and Guatem ala\, and as well as post-earthquake architectures in Sicily and Lisbon. E arly modern architecture and engineering is often characterized by new bol dness of ambition in responding to\, attempting to overcome\, or intending to change environmental conditions\, it often yields cycles of loss\, fai lure\, and reiteration\, until new technics are achieved.
This panel seeks to learn from stories of ar
chitectural and infrastructural failure\, innovation\, and redesign\, espe
cially as it relates to practices of colonialism\, from across the Iberian
world. We invite papers that seek to complicate the narrative of architec
tural domination on the land and landscape and search for cases that focus
on moments of disjunction and defeat in the face of environmental factors
\, and the struggle to respond.
Papers may examin
e the consequences of incomplete knowledge of landscapes\, ecologies\, and
materials\, and the cases under consideration may be architectural works
that were unfinished\, hypothetical\, never realized\, or rebuilt after co
nfronting natural disasters and misunderstandings of ground conditions. We
also welcome papers on artworks representing knowledge of materials and e
nvironments\; moments of disaster\, engineering\, and rebuilding\; or chan
ges in understandings of nature and environment.
SUBMIT ABSTRACTS HERE BY AUGUST 29: \;